ATELIER in BEELD
i.s.m.
KUNST WERKT
Free visite to the studio:
Saturday May 17, 2025
Sunday May 18, 2025
Every day from 11am to 6pm
Atelier: ROELANDSVELDSTRAAT 30
1700 DILBEEK
A visit to the art studio and exhibition areas with a permanent exhibition:
Recent paintings, drawings
and graphical art.
Youth works 1956 – 1966
Never-before-seen paintings and work
from 1967 to the present.
Exposition of unique photographs
and documents.
Cartoons and caricatures for Jacky
by BRASSER, Emiel DE BOLLE, Luc DE MAEYER, Karl MEERSMAN and URBANUS
Welcome at
ROELANDSVELDSTRAAT, 30 te 1700 DILBEEK
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Wikipedia, Wikisage
Dirk Frimout
The creations of Jacky Duyck boasts the same feelings as space itself: the intensity of colors, the feeling of quiteness and peace. Through his work you can as it were rediscover space.
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André Van Laere
Obviously this adventure is more than merely “enjoying art”, such a pictured encounter differs from a drawing-room experience. The power of cosmos tears up the small world in which we have imprisoned ourselves. Our fashionable settings are taken away. The “traces” lead from the past to the present. With the painter we go to meet
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André Van Laere
Like an archeologist Jacky Duyck is on his quest for signs of life. The silence that meets you out of the paintings is not the idyllic peace of a resting earth, nor the mortal peace of an extinct volcano. Confronted to this intangible and yet recognizable world, the individual cannot but lose himself. He is
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André Van Laere
Jacky Duyck leads us into a world of unusual silence: the “silence of the world before Bach”, the initial world… There, between the very beginning and the final accomplishment, lay his unvisited landscapes, never soiled by human steps, unreachably far, extremely deep. These are the revelations of the mystery that both attracts and frightens us.
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Rudi van Vlaenderen
If someone can paint with such an inspiration and skill that the spectator cannot tell anymore weather it is abstract or figurative, or even better, call it abstract and figurative, that all labels – so appreciated by critics and specialists – ultimately fall off as unimportant… if someone can paint in a way we can
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